“I wanted something that would combine Broadway and western dance, but with a sexy, masculine flavor,” he adds. When Platte first considered creating an all-male dance group, western-style dance seemed perfect for the gay and lesbian community, he says. But make no mistake, these guys can dance with the best of ’em. All the dancers wear tight-fitting jeans, cowboy boots and hats, and tank tops a size too small, revealing a collective obsession with body-building. Pride festival.Īs the “Cowboy Love” number progresses, so does the ass-spanking, hip-gyrating, and lassoing. This Sunday afternoon, in a Capitol Hill studio, they’re preparing for an appearance at the following weekend’s D.C. Since 1994, the Cowboys have been wowing the competition and dazzling audiences across America with their high-energy, often campy repertoire. Platte’s DC Cowboys is one of only a few all-male gay country-western dance outfits in the world. A routine that Platte, founding artistic director, compares to the Will Rogers Follies.Įxcept in this troupe, the boys line up on one side, and the other boys line up opposite. The CD player starts to crank out John Michael Montgomery’s “Cowboy Love,” and the tough-looking cowboys grab their refined and submissive partners, swinging them around so forcefully that they elicit exaggerated sighs and embarrassed “ooh”s.
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“You stand here,” he tells one dancer, “and you over here.” The dancers listen earnestly and oblige, knowing that next week, they’ll be performing for thousands.
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Kevin Platte calls his country-western dancers to their places.